Some melty goodness for Rosie Lowe's 'Worry About Us' by Bison.

Andy Gill and his influential post punk Gang Of Four are back, and they’ve been joined by Alison Mosshart of The Kills fame for new track ‘England’s In My Bones’.

I edited this video earlier in the year for Partizan’s Olivier Groulx but have only just got around to posting it. If you missed it or just want to see it again….enjoy!

C'mon c'mon c'mon c'mon Take That and party or something like that in this new video for Matthew Vaughan's 'Kingsman' directed by Vaughan Arnell.

I love working with Vaughan Arnell, it means I get to work on stuff like this with some of the biggest artists in music and they don't get much bigger or global than George Michael.

This was an absolute delight to cut, even though I had sixteen and half hours of footage which all looked amazing. Managing that amount of footage in a short timeframe is a major part of the job.

These days it's getting rarer and rarer to have any direct contact with the artists you're ultimately working for but on this occasion I had the pleasure of spending some time in the company of the great man himself and I have to say it was something of a masterclass. His changes could be quite small and subtle but would always enhance the video and it would always come from his overall vision of what he wanted to communicate through the song. He places as much importance on the visual representation of his music as the music itself.

They always say don't meet your idols but in this case I'm bloody glad I did.

It's 16 years since Vaughan Arnell created the classic video for Robbie Williams 'Angels'. Now he's gone and remade the video for Olly Murs with a knowing cameo from Robbie himself.

It was an interesting video for me to edit. I started by cutting Robbie's 'Angels' video to Olly's track a week before the shoot so that Vaughan and his team had a template from which to recreate the video shot for shot. Olly's track is a minute shorter than 'Angels' so I had to try and keep the feeling and flow of the original whilst losing 60 seconds of material, concentrating on the iconic shots that we associate with Angels, the ring in the sand, the motorbike and not forgetting the chopper!

Another little obstacle to overcome was that the original city location had been demolished, however the Barbican provided an ample replacement with its straight lines and angular geometry giving us the same feel as the original.

When it came to editing the new original material, I started by replacing my template I'd created the week before shot for shot or as close as I could. With this in place and now requiring extra space for the scene when Olly meets Robbie it was now essential to rebalance the video slightly to make sure that the video worked as a standalone piece for Olly as well as being an homage to 'Angels'.

16 years is a long time in music videos but a good video is timeless and hopefully this homage proves it.

Congratulations to Dave & Owen for their win at the UKMVA's....fully deserved in my humble if slightly biased opinion! To bring real heart and emotional depth to such a technical music video is a real and difficult skill, which is why I think the video resonated with so many people. Dave & Owen are real masters at understanding and then interpreting the meaning behind the songs they get to work on, which in turn makes my job so much easier. I always say that directors like this make my work look so much better than it actually is!! Keep 'em coming is what I say!

Ok so this video came out over a year ago now but Corin Hardy and I also did this extended edit, with loads more dialogue and some scary sweary action from the brilliant Neil Maskell (Kill List). We got the label to send us the stems of the track and we used them to re-score it into the soundrack of this short film This version was for the deluxe edition CD and has never made its way on to the interweb....no-one's actually said this could be uploaded but I won't tell anyone if you don't!

(No Ed Sheerans were harmed in the making of this video).

What do you get when Naor Aloni and his trusty DOP Jake Scott spend 24 hours straight shooting in the desert? Delirium?....maybe...but you might also get this for Bastille!